The Blue Raccoon

Friday, October 03, 2008

First Fridays In Richmond
Just set bailouts and baloney aside, and experience art




The above image was taken, and not by me, at an exhibition opening several years ago at the vanished Three Miles Gallery and this space, and the adjacent one, is today busy Tarrant's Café.

The billion-eyed audience by now knows this story, but if you're just joining us, this pair of Richmond lovelies are displaying the classic duality of Greek tragedy/comedy, the duality of existence, and how in general conditions are one or the other, depending who you are and your perspective on the matters at hand.

It's been a crazy couple of weeks, I think you'd agree.

But the ladies pictured here represent for the Blue Raccoon the energy and verve of the First Friday High Art Hike here in Richmond, Va; otherwise known as First Fridays: On and Off Broad, and brought to you by Curated Culture, and you can see it explained here.

One of the big events tonight is the inauguration of Gallery5's momentous annual "Carnival of 5 Fires," with its cornucopia of art, music and performance, burlesque -- and fire jugglers. The whole thing culminates in a huge spaghetti dinner on Sunday. Take a gander here.

A number of galleries still have up the shows that inaugurated "Inlight Richmond" this past month, and the constellation-in-the-sidewalk in front of the 1708 Gallery is a reminder that, yes, even Broad Street can shine.


And if you get to 1708, you got to dance in front of the musical mirror that compliments you as you do so.

Speaking of illumination, over at 309 N. Adams there's the "Church of the Chrystal Light" which explains itself thus: "The Church of Crystal Light is an artist-run space dedicated to experimental visual art/music/performance/video and outsider community activity. Our goal is to offer communal artists – young artists that may have limited opportunities for expression – a venue for solo shows."

Andrew Jeffrey Wright is featured, and you can see some of the fun he has in store for you, here.

At the Ghost Print Gallery, self-taught painter Chris Milk, straight out of Oregon Hill, has an exhibit of his work. Below, is his "Moon," acrylic and metal leaf on wood.





So we'll see you on the art walk, and maybe having a tipple or two at one of the fine establishments designed for imbibing and carousing, thank goodness, and if anybody brings up anything political, I'm just going to stare into my glass as though seeing into a vortex of time and space, and wishing to be in another place with an entirely different set of problems.

Speaking of which, if you get your fill of the art thing, at 10 p.m. at the New York Deli in Carytown there's an elaborate indie fashion show, "Pins + Needles" which you can read about here.

Pictures at left, via Scott Elmquist at Style Weekly,
"Local indie fashion designers Ono Mangano, left, and Erin Taylor, with two of their models wearing a refashioned jacket, left, and a high-waisted velveteen skirt, will present their version of makeshift chic at the New York Deli Oct. 3. "

Back away from the television, get out of the house, and be fabulous to each other.

Tonight is also the first of three for the annual "Two Street Festival" in Jackson Ward. This event celebrates the rich cultural heritage of the Ward which by the 1920s was considered "The Harlem of the South." This was before a highway was allowed to be plowed through its midsection and poorly planned public housing built. But, anyway, the reason to go is music, food, Croaker's Spot (good luck getting in -- the place is packed for good reason) and general street merriment.

Friday, Oct. 3

Waverly R. Crawley Main Stage (2nd and Marshall streets)
6-9 p.m. - Friday Night Kickoff Dance Party featuring Johnny Houston & The Legends

Metropolitan Business League (115 E. Marshall Street)
6-9 p.m. – 2008 Second Street Poster Unveiling featuring Larry “Poncho” Brown

Saturday, Oct. 4

Waverly R. Crawley Main Stage (2nd and Marshall streets)
Noon-1 p.m. – Johnny Peyton Renaissance Big Band
1:30-2:30p.m. – NYCE
3-3:30 p.m. – Grace & Company Fashion Show
4-5 p.m. – The Big Payback
5:30-6 p.m. – Radio One
6:20-7:30 p.m. – Horizon
8:15-9:50 p.m. – PIECES OF A DREAM

Joe Kennedy Jr. Stage (3rd and Clay streets)
12:15-1:05 p.m. – Kip Williams Quartet
1:25-2:15 p.m. – QuintEssential Jazz
2:35-3:25 p.m. – SoulArmy
3:45-4:35 p.m. – Carlton Ayles and Legacy
4:55-5:45 p.m. – Jim Branch Quartet
6:05-6:55 p.m. – “Against All Odds” (from Hampton Roads, Va.)
7:15-8:05 p.m. – “Son Sabroso” (Latin Jazz)
8:25-9:25 p.m. – James “Saxsmo” Gates Quartet

Bistro Stage (1st and Clay streets)
Noon-12:45 p.m. – Ban Caribe
1-1:45 p.m. – String Improv N Me
2-2:45 p.m. – Rumba Drummers
3-3:30 p.m. – Spoken Word featuring Deidre Holland and Friends
4-4:45 p.m. – DJ Williams
5-6 p.m. – Skyline Band

Community Stage (2nd and Leigh streets)
12:30-1 p.m. – Richmond Boys Choir
1:30-2 p.m. – One Voice Choir
2:30-3 p.m. – Milestone Dancers
3:30-4 p.m. – African American Repertory Company
4:30-5 p.m. – City Dance Theatre
5:30-6:15 p.m. – Sisterly Grace Fashion Show and Ministries

Sunday, Oct. 5

Waverly R. Crawley Main Stage (2nd and Marshall streets)
1-1:30 p.m. – M’Renee
2-2:30 p.m. – Lee Walker and Spirit
3-3:40 p.m. – Glorious
4-4:40 p.m. – Bloodline
5-6 p.m. – Black Awakening Gospel Choir at VCU

Joe Kennedy Jr. Stage (3rd and Clay streets)
1-1:50 p.m. – Jason Jenkins Quartet
2:10-3 p.m. – Saxophonist Richard D’Abreu “Jazz In The Spirit”
3:20-4:10 p.m. – Dave Hoggard Quartet
4:30-5:30 p.m. – Debo Dabney and The Happy Band

Bistro Stage (1st and Clay streets)
2-2:30 p.m. – F.L.T.I. Steel Pan Orchestra
2:45-3:15 p.m. – Ephesus Drumline
3:30-3:45 p.m. – Sharon Baptist Church Praise Dancers
4-5 p.m. – Grace and Company Fashion Show

Community Stage (2nd and Leigh streets)
1:30-2 p.m. – Voices of Virginia
2:30-3 p.m. – Sharon Baptist Church Choir
3:30-4 p.m. – Sixth Mt. Zion Church Mime Ministry
4:30-5 p.m. – First African Baptist Church Orchestra

Artist’s Row (2nd and Clay streets)
Larry “Poncho” Brown – Featured guest artist
Purchase the limited edition 2nd Street posted created and designed by this nationally renowned artist. Brown’s tent is located on the corner of 2nd and Clay streets.
Other invited artists: Randy Walters, James E. Murphy Jr., Greg Paige, Kelvin Henderson

Capital One Kidz Zone (Jackson Center Lot on 2nd Street between Clay and Leigh streets)





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Saturday, September 06, 2008

Illumination of Broad Street
Art and Imagination Reclaim Downtown


The parade of Wearable Art down Broad Street, as recorded by photographer Jay Paul.
This is model Rickita McKinty with designer Kevin Blow in his design, "Untitled: Optica." The outfit includes 33 eyes with lights in their pupils and ostrich feathers.

I haven't seen much pop up blog-wise or in the regular media about what was a historic event--or rather, one of a series of them this past year on Broad--more discussion of Rodney Monroe and the rain. Well, that's too bad. Even Sissy Spacek was there.

My bias is obvious, because I emceed the Wearable Art component of the evening, (with at times less grace than I would've wished), but, apparently this caused no untoward distress. At least I hope so.

Yes, there was rain in the early hours but it cleared off and during the 9:00 to 11:00 stretch the street filled up, the video and audio projections on the walls went on, the Hot 8 Brass played and a man-powered contraption designed to project the spirit into the sky lumbered around. Every gallery was open and some very fine art on display-and will remain so for the rest of the month, and some longer--and would be a credit to any other city, of a greater population.

I stood at the center stage with Jake Crocker at one point when we took in the fanning search lights--for once not indicating the location of a strip bar--the glowing columns of light, the bright pools of activity along the street, the whirling psychedelic patterns on the trees, the great knots of crowds--and he said, "This is like some huge, outdoor Vegas club."

For a massive, first-time event, held when weather conditions threatened to wash out the whole production, InLight Richmond went well as we might've expected.

There's many thoughts and observations I have about this spectacular but time presses.

Here's the bottom line take away we should have, though. Events like InLight, First Friday and Broad Appétite are transforming Broad, its wide ungainliness, its semi-charming, semi-off-putting grittiness. Add in the Folk Festival, the proliferation of markets, and the other street festivals all over town, Richmond is reclaiming its public spaces.

This is an historic transformation. From the latter 19th century and more than halfway into the 20th century, Richmonders divided Broad right along the streetcar tracks; the "bad" north side, with its saloons, vaudeville and burlesque houses, nickelodeons, motion picture and legitimate theaters. Behind them, were Jackson Ward and Navy Hill, predominant black neighborhoods. The "south" or good side was where the major retail bustled, and the colossi of Miller & Rhoads and Thalhimer's. Of course, further east, down in Shockoe, form 1905 to about 1920, on Council Chamber Hill and into Shockoe Valley, was the tenderloin and immigrant tenements.

But like many U.S. cities, the vibrant retail center came to an end in the 1980s, and Richmond has struggled like others to redefine what this corridor can now mean to its citizens. The most successful responses have come from the entrepreneurs, the artists, and the makers and creators. Almost every public-private effort has failed or been mired in over-spending, planning mishaps and outright corruption.

Seeds grow where they are planted. Whether 1708 Gallery or Gallery5 on or near Broad, or Plant Zero in Manhester south of the river, they've been followed by restaurants, lofts, apartments, coffee shops and boutiques. What Richmond now needs downtown is a large grocery, or even department store--a regional based, original Big Store. Where'd you put it now, though, is a tough question.

Now, I'm not saying one event is a cure-all, but the momentum built by several of them creates a cumulative effect. And I've not heard much mention of this by any of the mayoral candidates. I don't understand why; except that the people are (almost) always ahead of the leaders. Whether a candidate was present during the evening, I do not know; there was a Mark Warner for Senate event at Quirk, though. Otherwise, I saw some of those Get Out The Vote petitioners, but no city job seeker out on the hustings. Kind of disappointing, if this was the actual case. Where are these people?

The production team that dismantled the Monroe and Broad stage, due to rain, then put together again and set up the sound and lights--those guys were some of the true heroes of the night.

Meanwhile, I danced with an Art Cheerleader to the cheering of a crowd, watched a beautiful woman in an 1830s style garment shoot flames, and experienced my Partner In Art For Life's video creation get projected on two brick walls.

As I stood there and watched the procession of models moving in their often confining creations and confections--including this marvelous Klimt-in-motion with a headdress of antler-like branches adorned with glowing lanterns-- I marveled. The Klimt had some trouble getting up the stairs--the branches got in the way of the handrails--and this true living work of art--needed to be assisted in her ascension.

This was a metaphor of Richmond's possibilities, and how often the biggest thing that gets in her way is herself. She just needs a little help, sometimes, to get unstuck and moving.

I ended my evening on a WoBSoC front porch railing, yakking with Mark Holmberg about Blue Shingles.

It just doesn't get much better.

More later.






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Thursday, May 01, 2008

May First Friday: The Girls Are Back



If you are late to the billion-eyed audience, you may not know that these two women, displaying the classic Greek tragedy/comedy duality, represent -- well, here at the Blue Raccoon, anyway -- the arrival of yet another First Friday High Art Hike throughout midtown Richmond. And the ladies will enjoy fine weather, suitable for their mode of dress.


[Little did we know, but Catherine Keener, (above?)perhaps with friends, has visited...]

If you know the story, please repeat along. The topmost image was taken, and not by me, at an opening several years ago at the vanished Three Miles Gallery and that this space, and an adjacent one, is now the busy Tarrant's Café.

Before you head into the Presidential-named streets of midtown, though, you need to check out two exhibits by friends of ours across the street from each other, Louis Poole at Page Bond, 1625 W. Main St. and Steve Hedberg's new work at the Glave-Kocen Gallery, 1620 W. Main St.

Both painters create environments in their pieces; Louis' houses verge on the abstract, Steve's buildings, streetscapes and landscapes are rendered with a realistic vision, but he also presents abstract elements.

The Poole here is via the Richmond Federal Reserve site.

As they say, the Glaves and the Kocens, on their site about Steve:

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Steve Hedberg - harley on lombardy
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Steve Hedberg - street parking on floyd
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Steve Hedberg - untitled
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new works by Steve Hedberg

May 2 - May 31, 2008
Opening Reception,May 2, 2008
6:00 until 9:00


With his latest body of work, Richmond artist, Steve Hedberg continues to divide his time between two styles: realism and abstract. He takes a slightly gritter approach to his realism, focusing on Richmond's Fan neighborhood, old automobiles and local haunts as subject sources. His work in abstract furthers his exploration of a seemingly alternative universe, using compositions of geometric planes balanced by course texture and color.




By the way, A.d.a Gallery, 228 W. Broad St., turns five years old with this First Friday. Gallerist John Pollard has made a definite mark here, and come June, he'll will be hieing off to Scope Basel in Switzerland. This month, members of the collaborative FEAST are exhibiting.


Below are further directly ripped-off blurbs of some of the premiering events:

Quirk Gallery
Chuck Scalin: Rush: Explorations in Glass

Quirk GalleryWe’re SO excited to see what Richmond based (hum, legendary) artist Chuck Scalin will pull out of the kiln for his upcoming first solo show at Quirk. Kiln? Yes, kiln! Chuck has been working with local legendary artist herself, Jude Schlozhauer, learning the secrets of glass. Taking his exquisite collages to the next level, Scalin creates unique (yeah, you’ve heard it before, but it’s true here) works of art by fusing glass and found objects. Each one a mystery until it emerges from the heat, Scalin then works the surface with addition of objects and by working the surface with graphite or paint. This is a not to be missed show!

Exhibition Statement: The creative RUSH comes after the piece is removed from the kiln, with the challenge of where and how to take the piece to completion. Inspiration for these pieces is derived from the irregular textures, color alterations, and accidents that occur during the firing process and result in determining the direction of the final abstract composition.

Rush opens at Quirk on May 2 and continues until June 21.

VCU MFA Thesis Show!
It’s May and that means a city filled with more art shows than you can shake a paintbrush at, thanks to the many end-of-semester shows presented by art students from across the City.

The VCU School of the Arts Department of Sculpture presents their MFA Thesis Exhibitions at two annex locations that are in the First Fridays area. We’re sure you won’t want to miss the works of these exceptional emerging artists!

Terminal: VCU Sculpture MFA Thesis Annex Exhibition
Featuring: Sami Ben Larbi, Lily Cox-Richard, David Grainger, Eli Kessler

Opening Receptions: May 2, 6-9pm & May 9, 7-9pm
2 Locations: 5-7 West Broad St and 209 N Foushee Street
Exhibition continues: May 2-18, 2008

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